My experience with $749 Earphones, Sennheiser IE 500 Pro

My experience with $749 Earphones, Sennheiser IE 500 Pro

After many years and many earbuds, headphones, Bluetooth this and now I’ve purchased headphones that IMO are very expensive.

During the last few years, I’ve found they are selling “in ear headphones” or earbuds that offer awesome capability. Maybe not world class mastering or mixing capabilities but there’s this phase of music generation that I feel is relevant to teaching a wide audience about expensive earphones, and terms used in music.

I use my headphones for zoom calls mostly and it is a nice break from OVER/ON EAR headphones. Once you realize how many headphones you go through in six years all aggregated into one bucket, you realize you could have bought something nice a long time ago, and now you’re here guessing if this investment feels right.

The Sennheiser IE 500 Pro, MSRP $749 and $599 at sweetwater.

Mixing and mastering is the final stage of the music production chain. I’m not interested in mixing or mastering, I’m interested in being able to perform music live without large headphones or speakers because microphones pic up speakers and large headphones are heavy and squeeze your head. I think my head is just too big. It’s just massive. Like most people have little heads, my heads is much bigger than that size you’re imagining right now.

Because of that, hats suck, especially uniform hats in sports, those never felt good. I’m always on the last few notches, maybe my brain is swelling.

So my head is huge, kind big, in ear buds or headphones that cost a lot of money isn’t a flex, rather it’s an investment in my head not hurting while I speak to people on zoom calls. I listen to music all day and I can’t have speakers playing anymore because we have a new baby. Also, large speakers in a room that isn’t treated is a negative but they sell those things like hot cakes at guitar center with really no explanation of what’s needed in the room for those speakers to be functional.

Close-up Photo of a Woman Listening to Music

Women wearing earbuds that appear to be apple.

When you have whatever big ass monitoring audio speakers in a room with no bass catches, you reverb the bass over and over, and everything reverbs and echos off the walls and your room bounces the audio over and over and bingo you’re making music to your room.

No matter what you do, unless you have a master of music whatever engineer come and make audio catches “bass catches” that catch the bass frequencies you’re always producing to your room.

So when you hear someone saying “flat” that means it doesn’t get loud in one area compared to another. The highs are super high, the lows don’t get amped, and there’s the attempt to add zero color to the audio. You want flat audio because that means you won’t sound bad on random speakers and other audio output. You won’t send it to someone who hears it on their phone speakers and they notice strange pops.

You need good mixing and mastering headphones if you want to hear the most natural sound in the audio and not produce to the audio waves coming from your room. I was producing to my room for awhile and never understood why my music sounded strange in the car or why my friend said he would hear pops on his speakers. It was always random complaints until I built bass catches but those are massive and I don’t want a lot of stuff on my walls right now. I enjoy the clear walls for now. So with the kiddo sleeping and need for no bass catches, here we are right now with this need to buy better headphones.

mixing and mastering, audio production

Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.[citation needed]

Silver-colored Microphone

Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems.[1] It is standard practice to make a copy of a master recording—known as a safety copy—in case the master is lost, damaged or stolen.

Audio post production is all stages of audio production relating to sound produced and synchronized with moving picture (film, television, or video). It involves sound designsound effectsFoleyADRsound editingaudio mixingmastering etc.

Earbuds over $500, I’m crazy I know…

Remember wearing big ass headphones all day hurts my head? I’m wearing $170 to $250 headphones and various brands to keep my ears, head, and skull from feeling funny. I swap them out often,

And I want headphones that last a long time. High end headphones have subtle places to “change” parts on the headphones and that means it has a longer lifetime of ownership. They come with nice cases, replace-able pieces and so-on and so-forth…

IF you look there’s way more than these headphones available for $500, and $500 is really where I felt most comfortable for headphones in this realm.

I’ve never experienced anything like $500 headphones, if you are not willing to play around you may not notice much, and so far I’ve enjoyed them for everything in the office life plus they are lightweight and refreshing while moving around in the studio making music too.

Woman in Black Fur Coat Wearing White Headphones

There’s a really nice consistency with these earbuds, and yes they go inside of your ear hole and not over you ears like these big honking clamps.

The sad part is you can’t really go try on ear buds and send them back, they don’t allow this process. That to me is mind blowing. You can’t return earbuds. You can buy them, and that’s all.

Earbuds or headphones that are able to do mastering means they can offer the entire range of high middle and low, and it’s flat enough to be considered mixing and mastering ear buds.

Sennheiser IE 500 PRO Monitor Earphones

I recently purchased a pair of in ear headphones called Sennheiser IE 500 PRO . These headphones, I’ll admit, do offer a lot of clarity across the entire range. They call them monitoring headphones, not exactly mixing and mastering headphone however how do we explain “flat headphones” without a little backing.

Sennheiser IE 500Pro, I’m always a little surprised by how well it appears in my ears. It always seems to throw me off guard because it’s not an expectation you would have with ear buds.

On my twitter, people found >$500 to be the last thing on their spending spree. I believe this goes to show the audience in my group and not so much the spending power. I believe they have the spending power but don’t know of headphones that can be good in this cost amount. A lot of people are in this belief system that headphones can be a certain amount and then that’s all she wrote. However I wonder if they understood that headphones can be at a certain point and be mind blowing or “decent” in their mind. Hard part is I can’t suggest this because if you don’t like them you have to keep them, period. Isn’t that an interesting market.

Mostly, I feel I’ve used these to do zoom calls and that has been helpful because I can hear people with the same depth and punch as my large headphones, without the headache. I hope this helps you.

Check out my twitter for more random insights. Sennheiser headphones are rather cool, and I’m excited to do more live music with them in the future. Until then take care readers.

I made 20 beats/loops on the Boss 505 mk2 today

I made 20 beats/loops on the Boss 505 mk2 today

In total I’ve created 70 loops on the boss mk2 and I’m starting to really get the hang of this music instrument.

Before the mk2 I’ve generated nearly 200 loops on the boss 505 mk1. I’ve replaced one boss mk1 via sweetwater.com returns which was all about how I was creating errors by pushing the product too much.

What I learned is the mk1 doesn’t like being hammered like a modern computer software engineer would push the device.

The first 50 took 5 days, the last 20 have been today. That’s rather outstanding in my opinion. Before the boss 505, I was stuck in the 45000 realm thinking this was the right product. However the 45000 isn’t the best route for someone who’s interested in making beats as fast as I enjoy making beats and at this particular speed I’m very happy with the product.

Today was a very good day because it felt like I got to make beats most of the day.. Joking aside, I was able to jump around and be super dad plus make some music today on my boss 505 mk2.

I held my daughter, hung out with my son, cleaned cabinets, cleaned toilet, bought tacos, grabbed burgers, and made a bunch of beats on my new boss 505 mk2. If you’re not familiar with a looper, this is one of my favorites on the market. I started with the 45000 electro harmonix and transitioned to the boss 505 series. I’m glad I moved from 45000 to 505 because it allowed me to dig into what I enjoy about the product, also the 45000 has a way of working you.

The boss 505 mk2 is rather different from the boss 505 mk1.

If you’re buying the mk2 thinking the mk1 is relative or similar, know it is but it’s also very different. Based on my studies in one facebook group related to boss 505mk1 and boss 505mk2, it appears to be a divide in the users who enjoy both.

In my opinion it’s much easier for me personally to make loops on the mk2 compared to the mk1 and it feels like less menu diving. The mk1 felt a little laggy, single threaded, and when I pushed it, it failed often. I got many error messages, had to replace my first mk1, and to tell you the truth, it felt like the replacement is doing the exact same problems as the mk1. With that said if you like pushing your gear and using two hands at once, the mk1 may teach you to calm the fuck down.

The Boss 505 mk1 is a looper I saw Marc R. used on youtube.

All of my friends who I was telling about my concept with the 45000 looper kept asking me if I was trying to be like Marc, luckily I had never heard of him and it got me into this product boss 505 in a lot of ways. I noticed in his streams you’re able to generate a tiny measure and have longer measures, the 45000 can’t do this and imo this allows the boss 505 mk1 mk2 to land on significantly better sounding loops compared to other loops that don’t allow this to happen.

Marc R inspired me to try improv on this boss 505mk1 and Reggie Watts is the reason I bought the 45000 looper. Both of these loopers are very different, and so is the style of these artists.

For me to be able to create 20 loops on the 45000 would require a lot of perfect loop creation, that’s one aspect of the 45000 is that it’s very unforgiving and not easy to be successful.

image of synth by computer

picture of a synth on computer desk

14 of the beats today was made while I was holding my daughter, she fell asleep by the 5th beat on the boss 505mk2. It’s the first time I’ve been able to wear her on a backpack because she’s starting to get so big.

Boss mk1 vs mk2

The mk1 keeps you single threaded and focused. The machine acts old, reacts old, and still is a lot of fun.

The boss mk2 allows you to do multiple things at once, multi threaded feeling, and the machine acts & reacts modern.

Both machines are fun, the mk1 comes setup default more to my liking and the mk2 is setup in a way that isn’t exactly the way I would choose to setup the machine at the start.

The record to overdub is turned off on the mk2 vs the mk1 when you begin using the product you’ll notice this right away.

I don’t know if this is the best decision by the makers of boss 505 series and I would have opted for keeping it as similar as possible. Mostly I wouldn’t want people expecting mk1 style and realize this isn’t functional.

Maybe this is global settings, that’s understandable, but that’s not something easy to figure out without learning more via google or manual.

My goal is to avoid looking stuff up and just try to figure it out like a regular instrument. When I hit 100, I’ll do the deep dive.

I assume my review will be different by the time I get to 100.

Until then, cheers!

Find me rambling on twitter about other things.

Moog Synths, The Little Emotional Creatures

Moog Synths, The Little Emotional Creatures

Moog synths. Our friends. Our Creatures.

People ask me, “what do you like about your synth?”

“How is this synth, compared to that synth?”

It’s a lot like asking me what the best Tableau consulting company is, I have no idea really, but I think I don’t suck at it too much. I’m willing to blog about that stuff, emotionally charged at times but always willing to go back and edit after I push out 5k words about a bunch of nothing usually…

Emotionally charged, similar to my analog stack.

Not like a tech stack, that i normally discuss. But it’s not that different too.

Having worked for every synth, never gifted a synth, and worked long hours, years, decades… (to earn my synths)

Fighting to turn on an analog synth, patiently getting better and better in my Daw of choice, ableton. It feels good to have them together. They are a team, an emotional group of analog synthesizers.

“What do you like about your synths?”

I love the journey to get synths, my life story. 

As I love each synth, equally.

Moog synths, or any synth, is a big deal. They don’t grow on trees and it takes a lot of work to own your own music studio. I set myself on a mission in college, to build my own studio, and my next mission in life is applying myself, and making music. But the journey did not start here, it started many years ago, playing flute in Louisiana, when I was 8 years old. But that’s not what this blog is about. Let’s get back to it.

My studio after 10 years of grinding. Feb 2018.

“What do you like most about your synths?”

Impossible question – every user experiences a Moog synth differently.

You might find yourself deep into the complexities of a Moog Sub37, more enjoy the modular retreat, the engineer aspect, of a Mother 32.

What is a moog synth?

A moog synth is something we teach and learn from.

A moog synth is a hand crafted creature, built by engineers, product developers, project managers, developers, admins, managers, and thought leaders. Moog is more than a synth to the users. Here’s my Moog story.

What’s a moog synth, to we.

We teach you to pulsate with the beat, without FX, allowing you to completely live.

Moog synths need air but under the right restrictions or limitations, it will quickly impress any artist.

But some times we compress our Moog Synths…

We compress the mother fudge out of you…

Other times.

We remove the compression.

And let it win… all while trying to find that perfect balance.

From my old instagram.

Moog synths sound best with friends.

Moog Synths are like little creatures

Living and breathing through out the track, and through out our studios.

We are still learning about each of you too, some of these synths beyond our moog synth, for some, are actually older than us.

My first studio setup in Austin, TX. In June, 2014. Only owned 1 synth.

Most days, these moog synths teach us to be better producers, better musicians, better artists, better people.

We have a weird thing with our personal synths, little personal pets, little creatures that require love & attention… and drum machines, it’s like a relationship.

We work to keep them living. We provide electricity, they provide emotions.

So, we try not to give our Moog synths limitations…

We all love the experience, having a Moog synth – is ownership of a hand crafted, or hand repaired, creature.

Some synths, simply living on the edge of death because the previous owner didn’t take care.

But now Moog synth, now you are in my studio, we will take good care of you.

Welcome to the party.

You can check out my free loop and sample business, @ www.musicblip.com. Starting to build a music label within Musicblip as of last week. Excited to release more soon.

SOHN’s BBC Radio 1 – Broadcast #1 – Track list

SOHN’s BBC Radio 1 – Broadcast #1 – Track list

SOHN’s first BBC radio show was an utter classic. You have hits from Deadbear, Caribou, Fantastic Mr. Fox, and many more. Find a full track listing & links to the artist/song, below the embedded player.

You can use the embedded player below or jump to souncloud here.

Track playlist, by SOHN, and links documented by Tyler Garrett.

  1. KRNE x TastyTreat – Clouds
  2. Deadbear – Snow in Tokyo
  3. Caribou – Our Love
  4. Seinabo Sey – Pistols at Dawn
  5. BANKS – Alibi
  6. Flying Lotus – Never Catch Me (feat. Kendrick Lamar)
  7. Allan Kingdom – Wavey (feat. Spooky Black
  8. Jacuzzi – Curtain Call (P A T H REMIX)
  9. Fantastic Mr. Fox – You-Turn (Feat. Kid A)
  10. Arca – Thievery
  11. Fyfe – Solace
  12. TOKiMONSTA – Realla (feat. Anderson Paak)
  13. Шура – Just Once (HONNE Remix)
  14. SBTRKT – Higher (feat. Raury)
  15. Les Sins – Bother
  16. Oceaán – Grip

These tracks helped inspire what I built at musicblip.com, which is essentially manually generated loops and samples on analog synthesizers. Our goal is to rank for free loops on google. It’s 100% non-profit, just trying to get some high quality content in the world of producers. Already adopted in every country. Feel free to check it out! Or DM me on twitter, if you get stuck.

Sound Volume 1.01 | Music by SOHN, Hello I am #SOHN.

Sound Volume 1.01 | Music by SOHN, Hello I am #SOHN.

SOHN – Their show starts in 10 minutes and I’m 20 minutes away.

I walked into the show, half awake, eyes glazed over from a long nap…

I was running on empty, hungover from night before, the show already started…

I ordered a triple whiskey, who knows how long it will take before I get to the front of the venue.

Someone named Christopher Michael Taylor is playing, he goes by the name of SOHN…

Finding tunes can be challenging and I don’t always have an application or subscription to music. Rather, music can be found online, in several places online. Thanks for reading my random series that will likely not get any traction, except for my personal usage…

by tyler garrett

“Hello, I am SOHN.” Christopher said on the microphone. I turned around, a massive crowd of people, I’m the only person buying drinks… No one is paying attention to anything except SOHN… I thought..

Damn who is this guy? (turns out it’s a band, very talented live band)

Music by SOHN has always kept a special place in my heart.

SOHN’s music has always been a special thing for me growing up as a music producer and of course randomly seeing his show because I randomly took a job that just happened to place me in this one place in time…

Maybe it wasn’t that random?

It was during Bootcamp at Tableau Software, or during the sales kick off. Regardless, it was a new experience – I never traveled to Seattle before and a random guy invited me to a show.
(Yes, I built a tableau consultancy after working at tableau)

It was great to see a live electronic performance, being that I have been collecting gear and producing music for a long time, it was refreshing to see someone playing their gear live too.

I just started learning about playing instruments live and recording my output, as it’s an advanced phase you get into in music production in technology, where you need to learn to avoid “showing off” by doing TOO much on the computer, simply because you can…

What got me into live music similar to SOHN?

Seeing SOHN live was a special occasion.

A small venue.

Turns out the guy is utterly massive outside of the USA.

Not just a guy tho, remember it’s a band.

For me, getting into live electronic performances started with my own music production needing help. I was desperate to get past writers block. I was collecting gear but not feeling it when I was producing. Maybe it was all the gear getting in my way, maybe it was in my head, maybe I just needed a better set of mentors growing up?

For me… It all started with a band called MINILOGUE, a rather niche duo, check them out.

Being as human as possible – they call it. A means of avoiding “too much” and doing “just enough” to keep your music hypnotic. Keep it simple and make them dance.

SOHN’s BBC radio appearance has left a big mark on my ears

SOHN appeared once on BBC, and DJed a few shows. His sound cloud is carved out like someone who doesn’t want you to hear his music but luckily he has a few classic BBC mixes available on his Soundcloud, which is really the only reason I still frequent the failed company that is soundcloud.

  1. SOHN BBC Radio 1 – Broadcast 1 – Track List
  2. coming soon
  3. coming soon
  4. coming soon (sorry it takes awhile, thinking about automating documenting the links with python VS manually building)

SOHN’s BBC mixes are solid.

Utterly solid, get on it. Felt like pandora before advertisements, constant knock out tracks from artists I’ve never heard of.

SOHN is that good.

Favorite these or save this blog. I promise you are going to hear tracks you have heard before but had NO idea where they came from, luckily SOHN is sure to tell you when it’s his track or not, he essentially narrates every mix.

“hello this is SOHN” my wife and joke.

If you’re an artist, stuck on soundcloud, like SOHN, it’s not your fault. You don’t know what you don’t know. But I need to mention… You can check out an alternative to soundcloud, and bet your own boss.

Back to this SOHN Blog… Meh, time to share links to SOHN.

Singles on itunes.apple by SOHN, all killer tracks, instant classics!

A new post on a new domain.

A new post on a new domain.

Hello readers, yay a blog post. A new post on a new domain.

Welcome to TylerGarrett.com and thanks for reading my first new post on a new domain. TylerGarrett.com is a free resource and a personal blog founded by Tyler.

A new post usually consists of a little context about what you want your blog to be about.

I believe a few topics will suffice.

  1. Technology Demos and walkthroughs.
  2. Growth Hacks and safe SEO tips.
  3. Photography and free stock images.
  4. Music, Mixes, Remixes, etc.
  5. Using data and data visualization to discuss topics.
  6. Guest blogs.
  7. Interviews.

New posts and new domains moving forward…

My new posts will be about tech, photos, music, growth hacks, and data related to these topics.

My family saying hello from a blue bonnet field in Texas.

My family saying hello from a bluebonnet field in Texas.

Guest blogs will be a place where I will beg some genius to say a few words on a topic or two.

An interview will be a similar case. I’m going to bug people I meet while traveling to answer a few questions on the fly or hopefully people will use the website to sign up for interviews and I will stop bugging strangers.

What’s your next new post going to be? [Nerd Alert]

I’ve been quietly journaling offline for the past few months, mostly technology related, as I’m learning Alteryx’s platform, and boy I’m excited about the future posts too.

Just last week I learned how to use APIs without programming and it wasn’t complex.

So hopefully I will be writing about API usage, a user-friendly guide to using APIs, and sharing the data I’m able to grab.

Next post ideas, I need an idea!

Getting idea’s for posts can come in a lot of fashions, like writing about a hotel you stayed in, taking photos, and giving it a rating.

Another idea is using an automated system to give you ideas.

Have you heard of content or idea generators?

You give it an idea. I used weird stuff as my idea.

  • How
  • Weird Stuff
  • Made Me
  • a Better Person

I bet you could write a story that fits the title.